CASEY REAS

Casey Reas, Path- Software 1, 2001-2014, Custom Software, Computer, Screen
Casey Reas, Process 17 A from "Compendium 2004-2010", 2010, C-Print auf Dibond, 50 x 50 cm
Casey Reas, Process 18 A from "Compendium 2004-2010", 2010, C-Print auf Dibond, 50 x 50 cm
Casey Reas, Process 13 A from "Compendium 2004-2010", 2010, C-Print auf Dibond, 50 x 50 cm
Casey Reas, Process 18 Image B3/4, 2010, C-Print auf Aluminium, Diptych, je 45 x 30 cm
Casey Reas, Process 18 Image A1/2, 2010, C-Print auf Aluminium, Diptych, je 45 x 30 cm
Casey Reas, TI, 2004, Software, Computer, Projektor, Disks
Casey Reas, YesNo (group 1), 2012, Serie von 4 C-Prints auf Dibond, je 40 x 40 cm
Casey Reas, Network D (image 1), 2012, C-Print auf Dibond, 80 x 160 cm
Casey Reas, Network D (image 2), 2012, C-Print auf Dibond, 80 x 160 cm
Casey Reas, Network C, 2012, C-Print auf Dibond, 80 x 40 cm
Casey Reas, Network C, 2012, Software, variable Größe
Casey Reas, ToxScreen-0000020010, 2014, Print, 69 cm x 122 cm
Casey Reas, Signal To Noise (Software 5), Software, 2013

CASEY REAS

Für Casey Reas (*1972) ist Software kein Werkzeug, sondern der Akt des Programmierens selbst ist das Zentrum des Kunstwerks. In seiner Kunst ersetzen generative Software-Systeme die Ausführung per Hand, die das Konzept des Künstlers umsetzen. Seine Software-Arbeiten setzt Reas in verschiedenen Medien wie Projektionen, Bildern oder Skulpturen um. Jedes Material streicht einen anderen Aspekt der Software heraus.

Als Herausgeber der Software Processing wurde Reas zusammen mit Ben Fry in 2005 mit dem Golden Nica der Ars Electronica ausgezeichnet. Processing ist eine Open-Source Programmsprache, die speziell für Künstler und Designer entwickelt wurde und mittlerweile von der Community in unzählige Richtungen weiterentwickelt wurde.

Reas Softwarekunst, Prints und Installationen wurden in zahlreichen Solo- und Gruppenausstellungen in Museen und Galerien in den USA, Europa und Asien gezeigt, u.a. im Victoria & Albert Museum, ICA (London), New Museum for Contemporary Art (New York), NTT ICC (Tokyo), Künstlerhaus Wien, LAboral Gijon, ZKM (Karlsruhe), Zendai Museum of Modern Art in Shanghai, Telic (Los Angeles), BANK (Los Angeles), Eyebeam (New York), CCCB (Barcelona), STUK (Leuven), National Museum for Art, Architecture and Design (Oslo).

Reas lebt und arbeitet in Los Angeles, wo er eine Professur für Bildende Kunst an der University of California besetzt.

Geboren 1972 in Troy, Ohio
Lebt und arbeitet in Los Angeles, Kalifornien

EINZEL- ODER DUO-AUSSTELLUNGEN
2018
Software Structures, Artport Whitney Museum of American Art, New York, USA
2017
Stochastic Confabulation, California Polytechnic State University Art Gallery, San Luis Obispo, USA
2016
There’s No Distance, bitforms gallery, New York, USA
2015
Tox Screen, Chronus Art Center, Shanghai, China
Linear Perspective, Charlie James Gallery, Los Angeles, CA
2014
Yes No, Pasadena City College, Pasadena, Kalifornien, US
2013
ULTRACONCENTRATED, bitforms gallery, New York
2012
Century, DAM GALLERY Berlin
Process, BCA Center, Burlington, Vermont
2011
Think, IBM THINK at Lincoln Center, New York
2010
Compendium 2004-2010, DAM GALLERY Berlin
2009
CODE and FORM: C.E.B. Reas & Marius Watz, Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania
Transfers and Actions: C.E.B. Reas und Ellie Harrison, Mejan Labs, Royal Academy of Fine Arts, Stockholm, Schweden
2008
Process / Form, bitforms gallery, New York
2007
The Protean Image, TAG<>, Den Haag, Niederlande
2006
C.E.B. Reas und Suzung Kim, bitforms gallery, Seoul, Südkorea
2005
Natural, BANK Gallery, Los Angeles, Kalifornien
Process / Drawing 2, DAM GALLERY Berlin
Process / Drawing, bitforms gallery, New York
2004
TI, Telic Arts Exchange, Los Angeles, Kalifornien
MicroImage, Art Brussels, Brüssel, Belgien
Articulate, DAM GALLERY Berlin
2002
Casey Reas / Golan Levin, bitforms gallery, New York

GRUPPENAUSSTELLUNGEN
2018

Chance and Control: Art in the Age of Computers, Victoria and Albert Museum, London, GB
Coding the World, Mutations/Créations #2, Centre Pompidou, Paris, Frankreich
MIS (MISSING) INFORMATION, Charlie James Gallery, Los Angeles, USA
Summer Splash 4, DAM GALLERY Berlin
Watch Your Bubble, Galerie Nord – Kunstverein Tiergarten, Berlin
2017
Drawn from a Score, Beall Center for Art and Technology, Irvine, USA
Engaging Technology II: Art + Science, David Owsley Museum of Art, Muncie, USA
Ars Electronica Festival. Moviemento. Linz, Austria. 7 – 11 Sep 2017. KTTV (video).
This is How it Ends, Coaxial, Los Angeles, USA
Silhouette Festival, Le Hasard Ludique. Paris, Frankreich
Crooked Data: (Mis)Information in Contemporary Art, University of Richmond, Joel and Lila Harnett Museum of Art. Richmond, USA
Modus Operandi, Société, Brüssel, Belgien
Rhythms + Visions: Expanded + Live 3, USC School of Cinematic Arts Complex, Los Angeles, USA
Trumpdown! Telic Arts Exchange, Los Angeles, USA
2016
DATAstream, Miles C. Horton Jr. Gallery, Blacksburg, Virginia, USA
CODE and NOISE, El Museo Cultural De Santa Fe, Santa Fe, Mexiko
DIGITRA, Treviso Ricerca Arte, Treviso, Italien
CODE + POETRY, DAM Gallery Berlin, Deutschland
2015
Day for Night, Silver Street Studios, Houston, Texas, USA
Short Cuts, CentrePasquArt, Biel, Schweiz
Istanbul Light Festival, Zorlu Center, Istanbul, Türkei
The Dematerialized Auction: A Fluxus Fundraiser for George, New York
AESTHETICA, DAM Gallery Berlin, Deutschland
2014
ARTMIX, Boulder Museum of Contemporary Art, Boulder, Colorado, US
NYC Makers: The MAD Biennial, Museum of Arts and Design, New York, NY (in Kollaboration mit Aranda\Lasch)
EXEMPLARY, 150 Jahre MAK, From Arts and Crafts to Design, MAK, Wien, Österreich
Summer Splash 3, DAM GALLERY Berlin
//the ART_of_DATA, Boulder Museum of Contemporary Art, Boulder, Colorado, USA
Coding the Body, apex art, New York, US (Kollaboration mit Cait Reas)
Presentism: Light as Material, Young Projects, Los Angeles,  Kalifornien, USA
2013
Shifting Paradigms of Identity, Kent State University Museum, Kent, Ohio
Autonomous, Gallery@Calit2, University of California, San Diego, La Jolla, Kalifornien
ArchiLab, FRAC Centre, Orléans, Frankreich
Poetic Mathematical Rhymes, Boston Cyberarts Gallery, Boston, Massachiusetts
void loop, Antenna Gallery, New Orleans, Louisiana
//the_ART_of_DATA, The Resnick Gallery, Aspen, Colorado
A New Sculpturalism, Museum of Contemporary Art, Los Angeles, Kalifornien
Run Computer Run: Examining Aesthetics, Rua Red, Dublin, Irland
Click, Helsingør, Dänemark
Back to Back, DAM GALLERY Frankfurt
Decenter, Abrons Art Center, New York
Poetic Codings, Fellows of Contemporary Art, Los Angeles und Boston Cyberarts Gallery
Infinity +1, part 1, Arena 1 Gallery, Santa Monica, Kalifornien
2012
AI Plus, National Taiwan Museum of Fine Arts
Microwave International Media Art Festival, Hong Kong, China
Field Conditions, San Francisco Museum of Modern Art, San Francisco, Kalifornien
Multiversités Créatives, Centre Georges Pompidou, Paris, Frankreich
World on a Wire, bitforms gallery, New York
Rethinking Typologies, The Art Institute of Chicago, Chicago, Illinois
Random Access: Data as Art, Montserrat Gallery, Montserrat College of Art, Beverly, Kalifornien
The Creators Project, Fort Mason, San Francisco, Kalifornien
Codings, The Pace Digital Gallery, New York
2011
Expect Big Delay, 405 Freeway, Los Angeles, Kalifornien
Think Line 2, DAM GALLERY Berlin
Seeing/Knowing, Graham Gund Gallery, Kenyon College, Gambier, USA
Deep Surface, CAM Raleigh, Raleigh, USA
Ornamental Structures, Stadtgalerie Saarbrücken, Deutschland
File Type, Gallery 400, Chicago, USA
2010
Hyperlinks: Architecture and Design, Art Institute of Chicago, USA
Quotidian Architectures, 12th International Architecture Exhibition, La Biennale di Venezia, Hong Kong Pavillion, Venedig, Italien
Machinic Processes, Architecture Biennial Beijing 2010, Peking, China
Swarm Intelligence: Architectures of Multi-Agent Systems, University of Hong Kong, Faculty of Architecture, Shanghai Study Centre, Shanghai, China
Immuring, SCI-Arc Gallery, Los Angeles, Kalifornien
E-volve, DAM GALLERY Köln
When Process Becomes Paradigm, LABoral, Gijon, Spanien
Code: Craft, Millenium Gallery, Sheffield, Großbritannien
2009
Decode: Digital Design Sensations, Victoria & Albert Museum, Porter Gallery, London, Großbritannien (danach: Museum of CAFA, Peking; The Garage Center for Contemporary Culture, Moskau; Design Museum Holon, Israel)
Vida_Orige, Museu del Montsià, Amposta, Spanien
Collider: Interactivity and New Media, Emily Davis Gallery, Myers School of Art, Akron, USA
OPEN, Gray Area Foundation for the Arts, San Francisco, Kalifornien
HelloWorld.show(), CreateHere, Chattanooga, USA
Art and Electronic Media, bitforms gallery, New York
Incognito 2009, Santa Monica Museum of Art, Santa Monica, Kalifornien
Loops, MIT Museum, Cambridge, Massachiusetts
Abstract Cinema, Museum of Contemporary Art, North Miami, Florida
I’ll be your mirror, BANK gallery, Los Angeles, Kalifornien
Scalable Relations, Beall Center for Art + Technology, Irvine, Kalifornien
2008
Algorithms, Block Museum, Northwestern University, Evanston, Illinois
Imaging by Numbers, Block Museum, Northwestern University, Evanston, Illinois
Design Life Now: National Design Triennial, Contemporary Arts Museum, Houston, Texas
TI, 5th Seoul International Media Art Biennale, Seoul, Südkorea
Matters of Sensations, 07 MASSES (in Zusammenarbeit mit davidcolvers), Artists Space, New York
2007
Ars Electronica, Shanghai eArts Festival 2007, Shanghai, China
Tissue Collection, Concrete Image Store, Amsterdam, Niederlande
Ephemeral: Explorations in Light, Claremont Museum of Art, Claremont, USA
Scriptedbypurpose, FUEL Collection, Philadelphia, Pennsylvania
Design Life Now: National Design Triennial, Institute of Contemporary Art, Boston, Massachiusetts
Ephemeral: Explorations in Light, Claremont Museum of Art, Claremont, USA
2006
Design Life Now: National Design Triennial, Cooper-Hewitt, National Design Museum, New York
Cybernetic Sensibility, Daelim Museum, Seoul, Südkorea
Further Processing, Kunstverein MEDIENTURM, Graz, Österreich
Interferenze, New Arts Festival, San Martino Valle Caudina, Italien
Drawing / Painting / Sketching, CCCB, Barcelona, Spanien
Drawing Conclusions on the Wall, Chapman University, Orange, USA
ARTEFACT, STUK, Leuven, Belgien
Software Art Space, Decordova Museum, Lincoln, USA
Faculty Exhibition, UCLA, Los Angeles, Kalifornien
2005
Bioart, Gallery António Prates, Lissabon, Portugal
SWARM, Fabric Workshop and Museum, Philadelphia, Pennsylvania
Generator.x, National Museum for Art, Architecture and Design, Oslo, Norwegen
Thick Works, Betty Rymer Gallery, School of the Art Institute of Chicago, Chicago, Illinois
Abstraction Now in White Noise, Australian Centre for the Moving Image, Melbourne, Australien
Inaugural Exhibition, bitforms gallery, Seoul, Südkorea
SónarClub, Sónar, Barcelona, Spanien
8 Abstractions, Now, À La Carte Digital Art, Sónar, Barcelona, Spanien
Lines and Curves, LIMN Gallery, San Francisco, Kalifornien
Fresh, Museum of Contemporary Art Auction 2005, Los Angeles, Kalifornien
Generative X @ onedotzero, Institute for Contemporary Art, London, Großbritanien
Visions for Education, Benesse Square, Okayama, Japan
Rhizome ArtBase 101, New Museum of Contemporary Art, New York
Beecher Center, Youngstown, USA
05 TDC Exhibition, Ginza Graphics Gallery, Tokio, Japan
Exit Festival, Créteil, Frankreich
Exposition Inventeurs! Via Festival International, Maubeuge, Frankreich
Artware3, Instituto Cultural Peruano Norteamericano, Lima, Peru
2004
Art Life, Seeing Gallery, San Francisco Exploratorium, San Francisco, Kalifornien
Touch and Temperature, Deborah Colton Gallery, Houston, Texas
Sonic Acts X, Paradiso, Amsterdam, Niederlande
L´Espace temporel, Ars Electronica Festival 2005, Linz, Österreich
Digital Selections, Kendall College of Art and Design Gallery, Grand Rapids, USA
Interact1, London College of Communication, London, Großbritannien
NewSchool 9 Reactive/Creative, NTT ICC, Tokio, Japan
Algorithmic Revolution, ZKM, Karlsruhe, Deutschland
Microwave International Media Art Festival, Hong Kong, China
Siggraph 2004 Art Gallery, Los Angeles, Kalifornien
Runtime Art, Multimedia Institute, Zagreb, Kroatien
Touch and Temperature, bitforms gallery, New York
Artport, Whitney Museum of American Art, New York
À La Carte Digital Art, Sónar, Barcelona, Spanien
Telic, Los Angeles, Kalifornien
This is Today, Triennale, Palazzo dell’Arte, Mailand, Italien
Softwarekunst, DAM GALLERY Berlin & Transmediale 04. Berlin
2003
Seven Wonders, Chromosome Gallery, Berlin
Uijeongbu International Digital Art Festival, Seoul, Südkorea
Cluster, Mole Antonelliana, Turin, Italien
CODE, Ars Electronica, Linz, Österreich
Abstraction Now, Künstlerhaus Wien, Österreich
l’esperienza del domani, Interaction Design Institute Ivrea, Ivrea, Italien
Danish Film Institute, Kopenhagen, Dänemark
X/AniMate at REMOTE, New York
Private Tundra, Los Angeles, Kalifornien
2002
Amoda, Austin, Texas
Doublecell, Singlecell.org
Translations/Transgressions, University of Rhode Island, Kingston, USA
BIN, Shift.jp.org.
Remapping/Neural Networks, Artbrain.org
Work in Progress, Interaction Design Institute Ivrea, Ivrea, Italien
Collision, MIT, Cambridge, Massachiusetts
2001
bitforms Inaugural Group Show, bitforms gallery, New York
Singlecell, Singlecell.org
Interaction ‘01, IAMAS, Ogaki, Japan
Animations, P.S.1., New York
Workspheres, MoMA, New York
2000
New York Digital Salon, New York
Projects from the ACG, Cooper Union, New York
Print on Screen, Ars Electronica Center, Linz, Austria

INSTALLATIONEN
2011
Signals, Auftragsarbeit des Massachusetts Institute of Technology (MIT), in Zusammenarbeit mit Ben Fry
Chronograph, eine ortsspezifische, softwarebasierte Fassadengestaltung für den Frank Gehry Bau der neuen Symphonie in Miami, in Zusammenarbeit mit Tal Rosner
2010
Whitney Museum Gala 2010, Software-Installation, projiziert auf sechzehn, von der Decke des Museums hängende Paneele

AUSZEICHNUNGEN
2010  Exploratorium Osher Fellow
2009  The Icon 20/20
2008  Tribeca Film Institute Media Arts Fellowship
2005  Netizens Net Art Prize
2004  Prix Ars Electronica, Golden Nica für Processing.org zusammen mit Ben Fry

PRÄSENTATIONEN
2013
Eyeo Festival, Walker Art Center, The Soft Studio. Minneapolis, USA, 5.-8. Juni 2013
Resonate, The Soft Studio, Belgrad, Serbien, 13. März 2013
2012
Mobile Processing, University of Illinois at Chicago, Processing 2.0, Chicago, USA, 3. Nov. 2012
Bartlett School of Architecture, The Eye of the Needle, London, Großbritannien, 26. Sept. 2012, https://vimeo.com/channels/399427/50298406
Eyeo Festival, Walker Art Center, Chance Operations, Minneapolis, USA, 7. Juni 2012, https://vimeo.com/45851523
Anderson Ranch Arts Center, Artist Talk, Snowmass Village, CO, USA, 7. August 2012
Intel, Compendium+, Processing 2.0, Portland, USA, 11. Mai 2012
Virginia Tech, Compendium+, Blacksburg, USA, 18. April 2012
Champlain College, Artist Talk, Burlington, USA, 23. März 2012
The Creators Project, Compendium+, San Francisco, USA, 17.–18. März 2012
Yale School of Architecture, Conditional Drawing, New Haven, USA, 11. Feb. 2012, http://www.youtube.com/watch?v=Ok2pLb4oxV4
2011
La­Va (Los Angeles Video Artists), Artist Talk, Los Angeles, USA, 13. Dez. 2011
Exploratorium, Artist Talk, San Francisco, USA, 2. Aug. 2011
Eyeo Festival, Compendium+, Minneapolis, USA, 28. Juni 2011
Eyeo Festival, Processing 2.0, Minneapolis, USA, 27. Juni 2011, mit Ben Fry
El Camino College, Compendium+, Torrance, USA, 30. Sept. 2011
Art as a Way of Knowing, The City Club of San Francisco, The History of the Future, Art and Technology 1965 – 1971, San Francisco, USA, 3. März 2011, Organized by the Exploratorium, funded by NSF
CalArts Graphic Design MFA, Artist Talk, Valencia, USA, 11. April 2011
University of California Santa Barbara, Process(ing), Santa Barbara, USA, 18. Mai 2011
Princeton University, Designing Programs, Princeton, USA, 13. April 2011, mit Ben Fry
TTI Vanguard, Design as Strategy. Creative Coding, a Future for Design, Los Angeles, USA, 23./­24. Feb. 2011
2010
Anderson Ranch Arts Center, Artist Talk, Snowmass, CO, USA, 30. Nov. 2010
Media Design Program, Art Center, Artist Talk, Los Angeles, USA, 19. Nov. 2010
Graduate Art Program, Art Center, FORM+CODE, Los Angeles, USA, 9. Nov. 2010, mit Chandler McWilliams
Map Marathon, Royal Geographical Society, Process Compendium, London, Großbritannien, 17. Okt. 2010, https://vimeo.com/22955812
University of Illinois at Chicago, Coding with Processing as a Design Practice, 2. Okt. 2010
Information Visualization: Mixed Taste, Anderson Ranch Arts Center. Snowmass, CO, USA, 31. Jul 2010, Mixed Tastes events are tag­team lectures on diverse topics; this presentation was data visualization and fly tying (fishing lures)
Anderson Ranch Arts Center, Artist Talk, Snowmass, CO, USA, 27. Juli 2010
Design Dialogues Fall 2010: Computation After New Media, Art Center College of Design, Coding (with Processing) as a Design Practice, Pasadena, USA, 19. Nov. 2010
Critical Code Studies, University of Southern California, 10 PRINT, 15. Juli 2010, Vortrag mit Nick Montfort und Jeremy Douglass
Decoding the Digital, Victoria and Albert Museum, Artist Talk, London, Großbritannien, 5. Feb. 2010

PUBLIKATIONEN
10 PRINT CHR$(205.5+RND(1)); : GOTO 10. MIT Press, 2013. Academic book in the software studies domain about a one­line Commodore 64 BASIC computer program. Co­authored by Nick Montfort, Patsy Baudoin, John Bell, Ian Bogost, Jeremy Douglass, Mary Flanagan, Mark Marino, Michael Mateas, Casey Reas, Warren Sack, Mark Sample, and Noah Vawter.
Century, Ausstellungskatalog, DAM GALLERY, 2012
Processing Architecture. Casey Reas, Ben Fry u.v.m. Perspecta 44: Domain. The Yale
Architecture Journal. MIT Press, 2011. Essay über die Processing-Software in Beziehung zur Architektur.
Process Compendium 2004—2010. C. E. B. Reas. Reas Studio, 2010. Begleitender Katalog zur gleichnamigen Ausstellung in der DAM GALLERY Berlin.
FORM+CODE in Design, Art, and Architecture. Casey Reas, Chandler McWilliams, und LUST. Princeton Architectural Press. September 2010. 176 Seiten. Paperback. Eine nicht technische Einführung in die Geschichte, Theorie und Praxis von Software in der Kunst, unterteilt in Themen zu Aspekten von Computercode – Wiederholung, Transformation, Parameter, Visualisierung und Simulation – alle Sektionen des Buchs enthalten Essays, Code-Beispiele und vielzählige Illustrationen. Übersetzt und veröffentlicht ins Japanische von BNN.
Getting Started with Processing. Casey Reas & Ben Fry. O’Reilly Media / Make. Juni 2010. 160 Seiten. Paperback. Übersetzt und veröffentlicht ins Japanische von O’Reilly Japan.
Processing: A Programming Handbook for Visual Designers and Artists. Casey Reas, Ben Fry. MIT Press. August 2007. 736 Seiten.
Process/Drawing, Ausstellungskatalog, DAM GALLERY, 2005

INTERVIEWS
“Casey Reas.” Protein Profile. Video interview with William Rowe. http://www.prote.in/en/profiles/casey­reas
“Art from code with Casey Reas and Marius Watz.” Creative Coding Podcast interview with Seb Lee­Delisle. 28 July 2011. http://creativecodingpodcast.com/?p=116
“Casey Reas.” Substratum Issue 02: Visual Systems. http://substratumseries.com/issues/visual_systems/casey_reas/
“Casey Reas.” The Creator’s Project. http://www.thecreatorsproject.com/creators/casey­reas
“Get with the Program.” Interview with Tracey Ingram. Frame, no. 79, pp. 223, Mar 2011­ / Apr 2011. Interview with Reas about FORM+CODE.
“Interview with Casey Reas and Ben Fry.” Interview with Dan Shiffman for Rhizome. 23 Sep 2009.
“Casey Reas.” Interview with Joshua Noble. Programming Interactivity. O’Reilly Press. 2009. This book is about open­source tools for the arts including Processing, Arduino, and OpenFrameworks.
“Casey Reas and Ben Fry on Processing.org.” FLOSS Weekly 52 interview. 17 January 2009. http://twit.tv/show/floss­weekly/52
“Questions about Self­organisation.” PixelACHE 2008. Jun 2008. A set of questions posed to the grassroots initiatives Processing, Arduino, Dorkbot and Boxwars UK.
“Interview with Casey Reas.” Interview by Mia Makela. A Minima 22, 2008. Special issue about Live Cinema, curated by Mia Makela, interview on pages 46-51.
“Casey Reas.” Interview by Alessandro Ludovico. Neural 28, 2008. pp. 40-43.
“C.E.B. Reas about a series of unexpected events.” TAGMAG 04: Info Aesthetics. pp. 34-37.
“Working the art process by typing in computer code.” Interview by Javier Candeira for Visual Communication, Special Issue: Screens and the Social Landscape. Vol. 5, Number 2. Jun 2006. pp. 205-217. Republished in Spanish in the magazine GRRR #15.
“An Interview with Ben Fry and Casey Reas.” Interview by Donna Marie Vakalis. Vague Terrain 03 : Generative Art. Summer 2006.

AUFTRÄGE
Fragrant World. Live visual media and sculptures for Yeasayer’s 2012 tour. Commissioned by The Creators Project. In collaboration with Aranda\Lasch, Nick Gould, and Yoshi Sodeoka. http://youtu.be/HYOBgS7QeHk
THINK. Led a team in developing generative images for the IBM THINK installation at Lincoln Center. Collaborated with IBM scientists, Mirada and Motion Theory creative directors and designers, and SYPartners art directors to develop five data stories and visualizations for a 123′ × 11′ LED wall. 23 September – 23 October 2011.
Signals. Commissioned mural for building 76 at the Massachusetts Institute of Technology. In collaboration with Ben Fry. Opened February 2011.
Maharam Digital Projects. Created and licensed five large format images (10′ × 16′ 8″) for the textile manufacturer Maharam.
Chronograph. Site­specific software mural for the Frank Gehry­designed home of the New World Symphony in Miami. In collaboration with Tal Rosner. Opened January 2011. https://vimeo.com/37634624
Whitney Museum Gala 2010. Created a software installation for the 2010 Whitney Gala. The software was projected onto sixteen two­-sided panels suspended from the ceiling of the museum’s third floor.
{Software} Structures. Software and text about Sol LeWitt for the Whitney Museum of American Art’s ArtPort. http://artport.whitney.org/commissions/softwarestructures/map.html

SUMMER SPLASH 4, DAM GALLERY Berlin, 23. Juni -31. Juli 2018
CODE + POETRY, DAM GALLERY Berlin, 8. April – 4. Juni 2016
AESTHETICA, DAM GALLERY Berlin, 29. Mai – 1. August 2015
SUMMER SPLASH 3, DAM GALLERY Berlin, 14. Juni – 2. August 2014
NO MESSAGE WHATSOEVER: FRIEDER NAKE & FRIENDS, DAM GALLERY Berlin, 16. November 2013 – 25. Januar 2014
BACK TO BACK, DAM GALLERY Frankfurt, 20. Februar – 4. Mai 2013
CENTURY, DAM GALLERY Berlin, 29. September – 27. November 2012
THINK LINE 2, DAM GALLERY Berlin, 16. November 2011 – 21. Januar 2012
COMPENDIUM 2004-2010, DAM GALLERY Berlin, 11. September – 3. November 2010
E-VOLVE, DAM GALLERY Cologne, 24. April – 24. Juni 2010
PROCESS/DRAWING, DAM GALLERY Berlin, 2. Oktober – 23. November 2005
ARTICULATE, DAM GALLERY Berlin, 30. Januar – 4. Februar 2004