FAITH HOLLAND

Faith Holland, Geyser, 2015, GIF, Auflage 3 Stück

FAITH HOLLAND

Faith Holland ist eine Künstlerin und Kuratorin, deren Praxis sich auf Geschlechter und die Beziehung von Sexualität zum Internet konzentriert. Sie erhielt ihren BA in Medienwissenschaft am Vassar College und ihr MFA in Fotografie, Video und verwandte Medien an der School of Visual Arts. Ihre Arbeiten wurden bei Elga Wimmer (New York), Axiom Gallery (Boston), Philips Collection (Washington, DC), DAM Gallery (Berlin) und File Festival (São Paulo) ausgestellt. Über ihre Arbeiten wurden in Artforum, The Sunday Times UK, Art F City, Hyperallergic, Artnet, The Creator’s Project und Dazed Digital geschrieben. Sie war 2014 eine Finalistin des New York Foundation for the Arts Fellowship in Digital / Electronic Art. Sie hatte ihre erste Einzelausstellung in der Transfer Gallery im Jahr 2015.

Studium
2013 School of Visual Arts, New York, NY
Master of Fine Arts in Photography, Video, and Related Media
2007 Vassar College, Poughkeepsie, NY
Bachelor of Arts in Media Studies mit Auszeichnung

ausgewählte Ausstellungen 2015
Stealing from the Real: Simulation and Sense Making, kuratiert von Georgina Lewis, Machines with Magnets, Providence, RI
DRKRM, DAM Gallery, Berlin, Deutschland
Notre avenir dans l’air, kuratiert von Fabio Carnaghi, Antiquarium Alda Levi, Mailand, Italien
Porn to Pizza, kuratiert von Tina Sauerländer, DAM Gallery, Berlin, Deutschland
Exquisite Corpse, Fuse Art Space, kuratiert von Sarah Faraday, Bradford, UK
Technophilia (Einzelausstellung), Transfer Gallery, Brooklyn, NY
Stealing from the Real: Simulation and Sense Making, kuratiert von Georgina Lewis, Boston Cyberarts Gallery, Boston, MA
Configured, Onishi Gallery, New York, NY
2014
State Abed, kuratiert von Nataša Kadin, DC Rojca, Pula, Croatia
A Personal Thing, kuratiert von David Willis, 184 Projects, Brooklyn, New York
Spaced Out: Migration to the Interior, kuratiert von Phong Bui, Red Bull Studios, New York, NY
Art in Odd Places: The Artifacts, kuratiert von Claire Demere, Spontaneous Interventions, Governor’s Island, NY
Ways of Something, kuratiert von Lorna Mills, TRANSFER Gallery, Brooklyn, NY
“influx” (arrival and inward flow of a large amount of something), part 2, kuratiert von Mark Dorf, CR10 Arts, Hudson, NY
Screensavers: Travels in Sleep, kuratiert von Shireen Abrishamian und Jenny Gerow,
BRIC Arts Media House, Brooklyn, NY
The One Minutes, kuratiert von Ineke Bakker and Jiang Hong Qing, Power Station of Art, Shanghai, China
Hotter Than July, kuratiert von Savannah Spirit, New York Studio Gallery, New York, NY
Science Fiction: New Death, FACT, Liverpool, UK
Exuberant Politics, Public Space One, Iowa City, IA
Try to Forget, kuratiert von Jay Gambit, The Rat Factory Gallery, Hollywood, California
The Last Brucennial, Bruce High Quality Foundation, New York, NY
State Abed, kuratiert von Nataša Kadin, Gallery of Fine Arts, Split, Kroatien
Digital Storytelling, Berlin Directors Lounge X, Berlin, Deutschland
2013
Come Together: Surviving Sandy, Year 1, kuratiert von Phong Bui, Brooklyn, NY
MFA Photography, Video & Related Media Thesis Exhibition, kuratiert von Bonnie Yochelson, Visual Arts Gallery, New York, NY
OFFLINE ART: new2, kuratiert von Aram Bartholl, Xpo Gallery, Paris, Frankreich
Collision18:present, Boston Cyberarts Gallery, Boston, MA

2012
10.-22.-38 Astoria 2, kuratiert von Fictilis, the Lab, San Francisco, CA
Backlash: On Women’s Basic Rights and Freedoms, Soho20, New York, NY
Between Two Thoughts, Visual Arts Gallery, New York, NY
Screen Capture, University of Iowa, Iowa City, IA
Interlife Crisis, Fictilis, Seattle, WA
Collision17:transformer, AXIOM Center for New and Experimental Media, Boston, MA

2011
Piece of Mind, Elga Wimmer Gallery, New York, NY

2008
The Bulletin Board, White Columns, New York, NY

ausgewählte Festivals / Screenings / online Ausstellungen 2015
Extra Teats, kuratiert von Rebecca Goyette, Satellite Art Fair, Miami, FL
Two-person booth, Transfer Gallery, Pulse Miami Beach, Miami, FL
The Others, kuratiert von Benoit Palop, The Wrong, New Digital Art Biennale, Internet
La Petite Mort du Blingee, kuratiert von Lorna Mills, Transfer Gallery, Brooklyn, NY
Internet Yami Ichi, organisiert von exonemo, IDPW.org, Chris Romero, und Eri Takane, Knockdown Center, Queens, NY
T33[ch/N±0]-bond[age]ing, kuratiert von g(URL) FREAX, 1-800-Space, Chicago, IL
Sun Screening Volume II, kuratiert von Claudia Bitran, Videology, Brooklyn, NY
Sad.gif, The Temple of the Cosmic Mothership, Richmond, VA und im Internet
Prism Pipe: Herbal Essences, kuratiert von Sarah Zucker, Pehrspace, Los Angeles, CA
Art F City’s 10th Anniversary Power Women Benefit, Light Box, New York, NY
Democracy, 15 Folds, Internet
X+1, organisiert von Erin Gee, Benoit Palop, Sabrina Ratte, und Tristan Stevens, Museum of Contemporary Art, Montreal, Quebec, Kanada
Body Anxiety, kuratiert von Leah Schrager and Jennifer Chan, Internet
Digital Sweat, kuratiert von Christian Petersen, Digital Sweat Gallery, Internet
Ways of Something, kuratiert von Lorna Mills, Project Space six d.o.g.s, Athen, Griechenland; Transmediale, Kanadische Botschaft Berlin, Deutschland; The Photographers Gallery, London, UK; Western Front, Vancouver, Kanada; Vivid Projects, Birmingham, UK

2014
Fullframe Retrospektive, Schikaneder Kino, Wien, Österreich
Nadja, kuratiert von Domenico Quaranta, Hypersalon, Miami, FL
URLove, kuratiert von Valentina Fois, DAM Gallery, Berlin, Deutschland
Master/Slave, Art Hack Day, Expose Gallery, Providence, RI
Clusterfuck Zoo, kuratiert von Lorna Mills, The Long Winter, The Great Hall, Toronto, Ontario, Kanada
Maid in Cyberspace REVISITED, The HTMlles 11, Montreal, Quebec, und im Internet
#Post2, kuratiert von Valentina Fois, La Scatola Gallery, Internet
Cipher: Refraction, kuratiert von Giselle Zatonyl, Culturehub, New York, NY
The Limits of Cinema, kuratiert von Antoni Karwowski, 9th Szczecin European Film Festival, Szczecin, Polen und Mecklenburg-Vorpommern, Deutschland
After Hours: DTV GIF Art Takeover, kuratiert von Rea McNamara, The Drake Hotel, Toronto, Ontario, Kanada
The Limited Collection, kuratiert von Valentina Fois und Rózsa Farkas, Internet
Basement Media Festival Tour, kuratiert von LJ Frezza und Nicholas Tamburo, Spectacle Theater, New York, NY; Sight Unseen, Baltimore, MD; Mobius, Boston, MA; Open City Cinema, Winnipeg, Manitoba; Regional Support Network, Toronto, ON; Microlights, Milwaukee, WI; The Nightingale, Chicago, IL; Experimental Response Cinema, Austin, TX; Exploded View, Tuscon, AZ; AS220, Providence, RI
BYOB Studio & Gallery Closing, kuratiert von Chris Romero, +81 Gallery, Brooklyn, NY
Cloud Makers and Open Tech, kuratiert von Eric Rzepka, MakerLabs, Vancouver, Kanada
I never promised you a real garden, kuratiert von Gioula Papadopoulou, Video Art Festival Miden, Kalamata, Greece
Ways of Something, kuratiert von Lorna Mills, Oude Kerk, Amsterdam, Niederlande; Gray Area Art + Technology, San Francisco, CA; PAF (Festival of Film Animation), Olomouc, Tschechien
Refraction, kuratiert von Giselle Zatonyl, Transfer Gallery, Brooklyn, NY
How Are We Not Crushed by the Weight of Being Watched?, kuratiert von Angela Washko, Sunview Luncheonette, Brooklyn, NY
Vagina 2.0, kuratiert von Doris Jauk-Hinz, Vaginamuseum, Internet
Sun Screening, kuratiert von Claudia Bitran, Videology, Brooklyn, NY
Re/Mixed Media Festival, The New School, New York, NY
Theorizing the Web, Windmill Studios, Brooklyn, NY
Video Nite, kuratiert von Erika Yeomans, Specials on C, New York, NY
Cloaque, kuratiert von Carlos Saez and Claudia Maté, Internet

2013
Net VVorth, kuratiert von Daniel Temkin, Transfer Gallery, Brooklyn, NY
Crazy Sexy Cool, kuratiert von Jennifer Chan, Studio XX, Montreal, Quebec, Kanada
LOLCat Party Fundraiser, kuratiert von Nora O Murchú, Galway Arts Centre, Galway, Irland
Anatomize, kuratiert von Rollin Leonard, Transfer Gallery, Brooklyn, NY
Now: The Body and the Screen, kuratiert von Jennifer Chan, Gene Siskel Film Center, School of the Art Institute Chicago, Chicago, IL
Shadow Box, kuratiert von Rollin Leonard, The Wrong, New Digital Art Biennale, Internet
Number, Art in Odd Places, New York, NY
String Literal, kuratiert von Carla Gannis und Justin Petropoulos, Transfer Gallery, Brooklyn, NY
Finishing School, kuratiert von Ania Moussawel, Dimensions Variable, Miami, FL
Card 13: Faith Holland, kuratiert von Anthony Antonellis, Credit Card Curation, Internet
Clusterfuck Zoo, kuratiert von Lorna Mills, Transfer Gallery, Brooklyn, NY
Carte Blanche à Streaming Festival, Festival Oodaaq, Rennes, Frankreich
Remote Webjay-Surfing Apero/Demo, kuratiert von Anne Roquigny, Galerie des Ecluses, Paris, Frankreich

2012
Emergence: Opinions, The HTMlles 10, La Cinémathèque Québécoise, Québec, Kanada
RE/Mixed Media Festival, Brooklyn, NY
AND 2012 Shorts: Programme 1, Abandon Normal Devices, Cornerhouse, Manchester, UK
FILE, Electronic Language International Festival at SESI-SP, Sao Paulo, Brasilien
MODEL, Art in Odd Places, New York, NY
MAshRome Film Fest, Acquario Romano Casa Dell’Architettura, Rom, Italien
Experimental Media 2012 Video Screening Series, kuratiert von Max Kazemzadeh und Jonah Brucker-Cohen, The Phillips Collection, Washington, DC und Artisphere, Arlington, VA
Fullframe Kunstfilmfestival, Gartenbaukino, Wien, Österreich
DL Selection III, The 8th Berlin International Director’s Lounge Festival, Berlin, Germany
Video Vaudeville Presents Kairos Interruptus, Vaudeville Park, Brooklyn, NY

2011
Streaming Festival, Sixth Edition, The Hague, Niederlande und Mailand, Italien
15th International Video Festival Videomedeja, Novi Sad, Serbien
Videoholica: International Video Art Festival, Varna, Bulgarien

Awards
2014
New York Foundation for the Arts Fellowship Finalist for Digital/Electronic Arts

2011-2013
Graduate Student Assistantship Scholarship, School of Visual Arts MFA
Photography, Video, and Related Media

2011
Honorable Mention beim 15th International Video Festival Videomedeja, Novi Sad, Serbien

2009
White Columns Curated Artist Registry, New York

Talks / Präsentationen

2015
Artist’s Talk, Hunter College Art Department, New York, NY

2014
“Performing Her, Him and They: Identity and Performance in the Age of Social Networking and Screen Based Culture,” Panelist, Pratt Upload Digital Arts Festival, Pratt, Brooklyn, NY
“Talking about Writing about Art,” Panelist, Machines With Magnets, Pawtucket, RI

2013
“Internet as Pussy/Pussy as Internet,” Art in the Age of Digital Reproduction, Panelist  Theorizing the Web Conference, CUNY Graduate Center, New York, NY

2012
Artist’s Talk, Revolutionizing Desire: A Reclamation of Representation for its Affective Potential, Arcadia Missa, London, UK
Artist’s Talk, HEJ 1 Launch Event, Artbook im MoMA PS1, New York, NY
Artists’ Talk/Closing Event, Collision17:transformer, AXIOM Center for New and Experimental Media, Boston, MA

2011
“The Pixel Museum: The Crop/Cut/Paste of the Meaning of Paintings in Google Art Project,” Information Art, Panelist,  Critical Information: Mapping the Intersection of Art and Technology Conference, School of Visual Arts, New York

kuratorische Erfahrungen
2015
Kuratorin, “GIFs to Have Sex By,” TRANSFER, Brooklyn, NY und Digital Sweat Gallery, Internet
Co-Kuratorin mit Seth Watter, “Providence & Friends,” UnionDocs, New York, NY
Co-Kuratorin mit Nora O’ Murchú, “Click Click Click,” Gray Area Art + Technology, San Francisco, CA

2014
Co-Kuratorin mit Seth Watter, “The Local Show,” Magic Lantern Cinema, Cable Car Cinema, Providence, RI
Kuratorin, “From the Cloud,” DAM Gallery, Berlin, Deutschland
Co-Kuratorin mit Nora O’ Murchú, “Click Click Click,” NEoN Digital Arts Festival, Hannah Macclure Centre, University of Albertay, Dundee, Scotland
Co-Kuratorin mit Nora O’ Murchú, “Coded After Lovelace,” NEoN Digital Arts Festival, Hannah Macclure Centre, University of Albertay, Dundee, Scotland, UK
Kuratorin, “Digital Oracles,” Spaced Out: Migration to the Interior, Red Bull Studios, New York, NY
Co-Kuratorin mit Nora O’ Murchú, “Click Click Click,” Magic Lantern Cinema, Cable Car Cinema, Providence, RI
Co-Kuratorin mit Nora O’ Murchú, “Click Click Click,” Whitebox Art Center, New York, NY
Co-Kuratorin mit Nora O’ Murchú, “Coded After Lovelace,” Whitebox Art Center, New York, NY
Kuratorin, “From the Cloud,” Spectacle Theater, Brooklyn, NY
Kuratorin, “Technolust,” Magic Lantern Cinema, Cable Car Cinema, Providence, RI
Co-Organisatorin, Magic Lantern Cinema, Providence, RI

2013
Kuratorin, “From the Cloud: Video in Cyberspace,” Magic Lantern, Cable Car Cinema, Providence, RI

ausgewählte Bibliographie
Hannah Gregory, “Porn to Pizza,” Post Matter, October 20, 2015
Char Jansen, “We’re Not Gonna Need Clones Cos We’re Only Gonna Be Clones,” ArtSlant, October 1, 2015
Amy Binny Binding, “Faith Holland,” Independent Collectors, September 29, 2015
Johanna Thompson, “Porn to Pizza: Domestic Clichés at DAM Gallery, Berlin,” SFAQ, September 16, 2015.
Tilman Baumgärtel, “The Cat as Queen of the Internet,” Die Tageszeitung, September 14, 2015 (print)
Brooklyn Magazine Editors, “Best of Brooklyn: Art and Performance,” Brooklyn Magazine, September 9, 2015 (print)
Elspeth Mitchell, “Review: Exquisite Corpse, Fuse Art Space, Bradford,” Corridor8, August 24, 2015
Benoit Palop, “A New Show Explores the ‘4P’: Porn, Pets, Plants, and Pizza,” The Creators Project, August 21, 2015
E.A. Hyde, “Forging Digital Identities: Low Museum’s Second Lowennial,” Burnaway, August 6, 2015
Adam Lehrer, “Not Fleshy Enough Performance at Faith Holland’s Solo Exhibition Technophilia @ Transfer Gallery in Brooklyn,” Autre Magazine, July 28, 2015
Alison Nastasi, “A Visual Mixtape of Explicit ‘GIFs to Have Sex By,'” Flavorwire, July 26, 2015
T.s. Flock, “Mind Candy: Digital Sweat Presents ‘GIFs to Have Sex By,” Vanguard Seattle, July 21, 2015
Florence Abitboule, “L’amour en GIF et en Abstraction,” Le Tag Parfait, July 10, 2015
Michael Anthony Farley, “GIF of the Day: GIFs to Have Sex By, Part Three,” Art F City, July 10, 2015
Corinna Kirsch, “GIF of the Day: GIFs to Have Sex By, Part Two,” Art F City, July 9, 2015
Lauren Glading, “Sexy GIFs: Safe for Work,” Topical Cream, July 9, 2015
Trey Taylor, “Does this GIF make you feel like having sex?” Dazed Digital, July 9, 2015
Corinna Kirsch, “GIF of the Day: GIFs to Have Sex By, Part One,” Art F City, July 8, 2015
Alicia Eler, “From Cum Shots to Orgasmic GIFs, a Playful Take on Virtual Sex,” Hyperallergic, July 8, 2015
A.i.A Editors, “The Agenda: This Week in New York,” Art in America, July 7, 2015
Benoit Palop, “40 Artists Create ‘GIFs to Have Sex By,'” The Creators Project, July 6, 2015
Emma Laramie, “Technophilia,” New York Minute Magazine, July 2, 2015
Korin Miller, “Meet the Woman Who Makes Art Out of Semen,” Women’s Health, July 1, 2015
Claire Warner, “‘Ookie Canvas I’ by Artist Faith Holland is a Painting Made Out of Money Shots–Yes, THAT Kind of Money Shot,” Bustle, June 30, 2015
DJ Pangburn, “Our Bodies, Our Machines: Inside the ‘New Intimacy’ of the Digital Age,” Fast Company, June 29, 2015
Frank Kobola, “This Artist Made a Painting Out of Semen,” Cosmopolitan, June 29, 2015
Joel Kuennen, “Faith Holland’s Cum ‘Paintings’ Aren’t Your Usual Cum Paintings,” ArtSlant, June 19, 2015
Audrey Phillips, “An Interview with Faith Holland,” Atractivoquenobello, June 17, 2015
Nora O’ Murchu, “#digital feels,” Technophilia catalog, June 13, 2015 (print)
Seth Watter, “IT CAME FROM HOLLAND,” Technophilia catalog, June 13, 2015 (print)
Benoit Palop, “Sex Penetrates Art at the ‘Technophilia’ Exhibition,” The Creators Project, June 13, 2015
Amanda Quick, “This GIFs Are About Sex: ‘Technophilia’ Art Show Looks at Sexuality in the Internet Age,” Technically Brooklyn, June 12, 2015
Cate McQuaid, “The Art of Provocation,” Boston Globe, June 9, 2015 (print)
Tish Weinstock, “Investigating Porn with Feminist Artist Faith Holland,” i-D Magazine, May 19, 2015
Gene McHugh, “Episode 2: Faith Holland, Shaving Cream on RedTube (2014),” Net Art Hell, April 18, 2015 (podcast)
Charlotte Jansen, “Artists’ Desks,” ArtSlant, April 13, 2015
George Vanunts, “American Artist Collects Cum Shots for Her Art Project,” Furfur, April 13, 2015
Zing Tsjeng, “This artist would like you to send her your cum shots,” Dazed Digital, April 10, 2015
Katie Waddell, “Faceless Cum Shots Wanted,” Art F City, April 9, 2015
J Pangburn, “These GIFs explore democracy in mesmerizing ways,” Konbini, April 6, 2015
Johanna Fateman, “Women on the Verge: Art, Feminism, and Social Media,” Artforum, April 1, 2015 (print)
Corinna Kirsch, “GIF of the Day: Faith Holland’s ‘Equivalents,'” March 30, 2015
Josephine Bosma, “‘Body Anxiety:’ Sabotaging Big Daddy Mainframe, via online exhibition,” Rhizome, January 26, 2015
Liz Sales, “Faith Holland Chatrooms III: Click, Click, Click,” Camera Club New York Blog, January 14, 2015
Whitney Kimball, “This Week’s Must-See Art Events: Good Reasons To Put on Pants,” Art F City, January, 12, 2015
Paddy Johnson and Whitney Kimball, “GIFs That Made Our Year,” Art F City, January 2, 2015
Joseph Henry, “Year in Review: The Women Represented,” MOMUS, December 31, 2014
Christian J Petersen, “An Interview in GIFs: Faith Holland’s Internet Explorations,” Societe Perrier, December 18, 2014
DJ Pangburn, “Code as Bureaucracy: Art Hack Day Takes on Artificial Intelligence,” The Creator’s Project, December 1, 2014
Jon Feinstein, “Faith Holland is Obsessed with the Internet,” Humble Arts Foundation Blog, November 7, 2014
Rachel Levine, “A Feminist Touch to the Cyberfuture: HTMlles Festival,” Montreal Rampage, November 6, 2014
Romina Cameron, “The HTMlles Festival: A Guide to the Obsolete Future,” Shameless, November 5, 2014
Carroll / Fletcher, “Critical Perspectives on Pornography,” Carroll / Fletcher Onscreen, October 21, 2014
Ben Davis, “Work of Art in the Age of… Something,” Artnet News, October 17, 2014
Paddy Johnson and Corinna Kirsch, “What Does an ‘Ello’ GIF Look Like?,” Art F City, September 26, 2014
Emma Tucker, “Coded After Lovelace,” Riposte Magazine, September 10, 2014
Jillian Steinhauer, “Tracing a Lineage of Tech-Minded Women Artists,” Hyperallergic, September 2, 2014
“Click Click Click @ Whitebox Art Center, Sep 2,” AQNB, September 1, 2014
“Coded After Lovelace (2014) Exhibition Photos + GIFs,” AQNB, August 27, 2014
Paddy Johnson and Corinna Kirsch, “This Week’s Recommended Shows: Old Tech and Boobs,” Art F City, August 25, 2014
“Coded After Lovelace @ Whitebox Art Center, Aug 14 – Sep 2,” AQNB, August 14, 2014
Henry Kaye, Corinna Kirsch, and Andrew Wagner, “This Week’s Must See Art Events: Future Perfect,” Art F City, August 11, 2014
“Faith Holland’s Visual Orgasms,” Juxtapoz Magazine, August 1, 2014
Nicole Disser and Kate Beaudoin, “Now Showing: Kickstarter Film Fest, Complimentary Absinthe, and More,” Bedford and Bowery, July 18, 2014
DJ Pangburn, “The Web’s Darkest Found Footage Finds a Place on the Silver Screen,” The Creator’s Project, July 17, 2014
Whitney Kimball, “Faith Holland’s Visual Orgasms,” Art F City, July 15, 2014
Sophie Weiner, “Found Footage ‘Films’ in the Internet Age Screening at the Spectacle,” Animal NY, July 15, 2014
Hrag Vartanian, “ArtRx NYC,” Hyperallergic, July 15, 2014
Paddy Johnson, Whitney Kimball, and Henry Kaye, “This Week’s Must See Art Events: Artists Anonymous and Jimmy Cater’s Cat,” Art F City, July 14, 2014
P.J. Rey, “Sex Work and the Limits of American Libertarianism,” Cyborgology, May 10, 2014
Charlotte Raven, “For Our Eyes Only,” The Sunday Times UK, April 27, 2014 (print)
Marina Galperina, “Inside BHQF’s Women Artists Only Last Brucennial,” Animal New York, March 14, 2014
Erin Gee, “January 2014 Interview – Faith Holland,” Future Femmes, January 27, 2014
“Seduction 2.0: Faith Holland, Creator of the Website VVVVVV.XXX,” Bookmagazine, January 12, 2014
“’Crazy, Sexy, Cool’ Online @ .DPI Now,” AQNB, December 16, 2013
Rachel Levine, “The Curator of the Gendered .gif,” Montreal Godzilla, December 5, 2013
Jennifer Smith, “AiOP Number: Faith Holland’s binary,” Art in Odd Places Blog, October 20, 2013
“String Literal @ Transfer Gallery, Sep 20,” AQNB, September 17, 2013
Whitney Kimball, “This Week’s Must-See Art Events: Every Nerd Loves a Book Fair,” Art F City, September 16, 2013
“Faith Holland @ Credit Card Curation,” AQNB, August 22, 2013
Christine Jun, “DA-Zed Guide to Porn Art,” Dazed Digital, August 2, 2013
“Monday Links: All Great Art Should Make You Nervous,” Art F City, June 24, 2013
Marina Galperina, “Artist’s Notebook: Faith Holland,” Animal New York, May 20, 2013
Marina Galperina, “The World’s First Abstract XXX Porn Art Site?” Animal New York, May 2, 2013
Allison Meier, “Exploring Art in Odd Places,” Hyperallergic, October 18, 2012
Bryanne Leeming, “Everyday Makeup with Faith Holland,” Art in Odd Places Blog, October 11, 2012
“Interview with Faith Holland,” Streaming Festival, 2011
Briana McKinnell, “Faith Holland,” Humble Arts Foundation Blog, August 25, 2011
PUBLICATIONS
“Pursuit of Happiness: Internet Cats as Anti-FOMO,” Alicia Eler ed., Art21 Magazine, 2015.
“IMG MGMT: Cosmetic Masochism, Metal on Flesh,” commissioned essay with Seth Watter, Art F City, 2015.
“Artist’s Pages: VVVVVV,” Millennium Film Journal, No. 60, Grahame Weinbren, Kenneth White, eds. (Brooklyn, NY: Millennium Film Workshop, 2014).
Emergency INDEX, Volume 2: 2012, Yelena Gluzman, Sophia Cleary, eds. (New York, NY: Ugly Duckling Presse, 2013).
RIP Geocities, Journal of Short Film (DVD), vol. 28, Brian Hauser, Kris Paulsen, eds. (Columbus, OH: The Ohio State University Film Studies Program, 2012).
“Internet as Pussy/Pussy as Internet,” Open Office Anthology, Tom Clark, Rósza Farkas, and Harry Burke, eds. (London, England: Arcadia Missa, 2013): 184-187.

DRKRM, DAM Gallery, 30. Oktober 2015 – 16. Januar 2016

PORN TO PIZZA – DOMESTIC CLICHÉS, DAM Gallery, 5. September – 24. Oktober 2015